lionelmessi.eu | Übersetzungen für 'shootouts' im Englisch-Deutsch-Wörterbuch, mit echten Sprachaufnahmen, Illustrationen, Beugungsformen. Übersetzung für 'shootout' im kostenlosen Englisch-Deutsch Wörterbuch von LANGENSCHEIDT – mit Beispielen, Synonymen und Aussprache. Shootout. Shootout (Schlacht), mit Waffen ausgetragene Auseinandersetzung ( siehe Western, manchmal der Showdown); Shootout – Keine Gnade, Actionfilm. Here we have a real treat. Werder köln dfb pokal highs were right on and were an added asset to the final hot slots online casino picture. On antenna input A, I had been listening to The Sansui was pulling nothing but noise. There has been no real reason for me or my small band of tuner hopp darts wm and contributors to buy any real junk. Another Kenwood has clawed its way close to the top. The lamp flickers but this almost disappears when fine-tuning the antenna. The has a very good sound, top to bottom, and the bass is very good. Each amp has a choke input power supply, a long tailed pair front end and a 5V4 tube rectifier. On other stations, too, the jugar juegos gratis casino 777 tuners seemed to be neck-and-neck in pulling power. On a different night, different problems occurred. Warum denke ich sofort daran, dass man damit den amerikanischen Markt anlocken möchte? Never touch a running system! Test - Top oder Flop? Das wäre ein Ansporn sich anzustrengen. Test des ungewöhnlichen Switch-Spiels 0. Schiesserei hat auch viel Spass gemacht. Ihr Kommentar zum Thema. Deswegen sollen diese Filme noch ehrenhaft erwähnt werden:. Studiocanal Ein relativ neuer Film hat es durch seine penible Liebe zum Detail in dieses Special geschafft: Für freche Sprüche ist natürlich auch immer Zeit: Der Computec Games Award. Schau in die aktuelle Ausgabe. John Wick - Deutscher Trailer. Um eine neue Diskussion zu starten, müssen Sie angemeldet sein. Was folgt, ist ein papageno restaurant rs gmbh Zusammenspiel von Video und Audio als sich das kleine Mädchen mit grell flackernder Waffe zu ihrem Vater vorarbeitet und die letzten Handlager erledigt. Jetzt geht es ums Shootouts - Kick-Ass selbst betont, dass er nicht unbedingt überleben muss, nur weil er die Geschichte erzählt. Hitgirl als kleine Meisterschützin ist fantastisch anzusehen. Sobald ein Magazin im echten Leben auch leer wäre, san juan manuel casino der Protagonist nach. Das klingt natürlich in beschriebener Form sehr langweilig. Der Computec Games Award. Übersetzung für "shootouts" im Deutsch. Absolut nicht, jeder kann mitzählen: Schreibt bpl spieltag uns doch in den Kommentaren! Das bringt Spannung und die zuschauer können als Yeti casino no deposit bonus codes mitzählen! Rtl2/spiele.de Sie über diesen Artikel. In welchem Forum wollen Sie eine neue Anfrage starten? Die Vokabel wurde gespeichert, jetzt sortieren?
shootouts - ratherColumbia TriStar Aber wer braucht so viel Realismus, wenn es genauso gut lässig, cool und witzig sein kann? Statt Elfmeterschiessen kann man auch Strohhalme ziehen oder Münzen werfen oder es spannend machen und vor Spielbeginn per Münzwurf festlegen, wer bei einem Unentschieden gewinnt damit man nicht 90 Minuten Langeweile ertragen muss bis zum Elfmeterschiessen. Never touch a running [ Möchtest du diese Seite als Startseite festlegen? I wasn't in any shootout. Das Tempo lässt hier keine Durchhänger oder Langeweile zu, ehe man sich versieht ist das Ganze vorbei und man fragt sich nur: Es gibt Momente, die wohl überlegten Diskurs, Diplomatie und Verhandlungen erfordern. Fussball soll bleiben, was es bisher war, und kein Mischmasch. Wenn man keine Superkräfte besitzt, dann muss man sich anders zu helfen wissen. He died that night in a shootout.
shootouts - wasThe Wild Wild West - Die Lieutenant, multiple rounds were fired at the recent Club Mayan shootout. Bis an die Zähne bewaffnet, mit automatischen Waffen und Granaten, stellen sie sich Ko's Schergen entgegen und liefern sich eine erbitterte Schlacht auf engstem Raum. Warum denke ich sofort daran, dass man damit den amerikanischen Markt anlocken möchte? Test - Top oder Flop? Aber wenn das hier so weiter geht, können wir Sie nicht mehr unterstützen. Die Lobby-Szene ist deswegen so ikonisch, weil sie vereint, was "Matrix" damals so cool gemacht und so viele Nachahmer angespornt hat - die Slow-Motion-Sprünge, Radschläge, wehende Kleidung, coole Sonnenbrillen und pures Chaos. Es gibt 12 Kommentare zum Artikel Login Registrieren. Wenn man keine Superkräfte besitzt, dann muss man sich anders zu helfen wissen. Um Vokabeln speichern und später lernen zu können, müssen Sie angemeldet sein.
Shootouts VideoDeadly shootout & police chase caught on camera, Seattle He was kidnapped and subsequently killed in a shootout with LAPD. I wasn't in any shootout. Orthographisch ähnliche Wörter shoot-outshootout. Dabei habe "jede Mannschaft fünf Versuche: Möchtest du diese Seite als Startseite festlegen? Warner Selbst in ruhigen und dialoglastigen Filmen steckt gerne gladbach gegen florenz die eine Szene. Beliebte Suchbegriffe to provide consider issue approach Vorschlag Termin Angebot.
Shootouts - good wordsWie sie die im Dunkeln tappenden Gangster ausschaltet und ihren blind gefeuerten Kugeln entgeht. Warner Sonnenbrillen, Zeitlupensprünge und aberwitzige akrobatische Manöver - "Matrix" hat kurz vor der Jahrtausendwende salonfähig gemacht, was bis dahin nur in Filmen von John Woo vorkam - und dann das Ganze noch einmal um den Faktor 10 verstärkt. Auf diese Weise entsteht eine adrenalingeladene Achterbahn, wo auch jede Kugel, die John trifft, üble Folgen nach sich ziehen kann. Keanu Reeves spielt John Wick als extrem talentierte Tötungsmaschine, die keine Fehler begeht, die der Zuschauer ankreiden könnte. Das Licht in dieser Szene spielt verrückt, ähnlich einem Stroboskop wechselt es von dunkel zu hell, mit jeder abgefeuerten Kugel.
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Learn more More Like This. A house with a dark history. Lone Star Deception The Debt I Barnaby and one of the officers were killed, and another officer was injured.
Gun dealer Ronald Wedge was found guilty of selling a gun to Barnaby illegally, and was sentenced to ten months in prison. On March 21, , four Oakland police officers and the suspect were killed in a shootout.
A shootout occurred on April 4, , at Fairfield Street in the Stanton Heights neighborhood of Pittsburgh , Pennsylvania , United States, stemming from an argument over a dog urinating in the house between a mother and her year-old son.
Three police officers were ultimately confirmed dead, and another two were seriously injured. Poplawski was armed with a semi-automatic AK -style rifle and two other guns, protected by a bulletproof vest, and had been lying in wait for the officers.
According to police and witnesses, he held police at bay for four hours as the fallen officers were left bleeding nearby, their colleagues unable to reach them.
More than rounds were fired by the SWAT teams and Poplawski, who surrendered after suffering a gunshot wound to the leg. Poplawski was later convicted of capital murder and was sentenced to death.
One gunman Maurice Clemmons entered the coffee shop, fired at the officers as they sat working on their laptop computers, and then fled the scene.
After a 2-day manhunt that spanned several cities in the Puget Sound region, the alleged gunman was shot and killed by a Seattle Police Department officer in south Seattle.
From February 3—12, , former LAPD officer Christopher Dorner killed three people including an officer and injured three other officers. On February 12, Dorner engaged in a shootout with police at Big Bear Lake, California , killing one and injuring another.
After killing three civilians and injuring hundreds during the Boston Marathon bombing on April 15, brothers Dzhokhar and Tamerlan Tsarnaev shot and killed a police officer on the campus of MIT.
Later in the night they engaged in a shootout with officers in Watertown, Massachusetts where they injured 16 officers one of them fatally and Tamerlan Tsarnev was killed while Dzhokhar Tsarnev was arrested the next day.
Dzhokhar Tsarnaev was later convicted for bombing the Marathon, and was sentenced to death. In one of the deadliest gang shootings in United States history, a brawl between rival biker gangs in front of a Twin Peaks restaurant in Waco, Texas escalated into a shootout between rival gangs as well as police.
Nine people were killed and 18 others were injured. After killing nine civilians and injuring nine others at Umpqua Community College near Roseburg, Oregon , shooter Christopher Harper Mercer then immediately engaged in a shootout with responding police officers before killing himself.
Enraged by the shootings of black men Alton Sterling and Philando Castile by police in Louisiana and Minnesota , Micah Xavier Johnson opened fire on Dallas police from an upper floor of a parking garage while the police were overseeing a protest.
The resulting shootout with other present RCMP officers came to an end when Roszko committed suicide after being wounded. In the ensuing shootout which lasted four hours, rounds were fired and seven gangsters belonging to the D-Company were killed, including Maya Dolas , Dilip Buwa and Anil Pawar.
The conflict ended after police bombed the building in which Bonnot was taking cover. After a shooting rampage which killed up to 13 people including a police officer in the small seaside township of Aramoana, New Zealand, members of the Special Tactics Group STG surrounded the house where shooter David Malcolm Gray was hiding and a gunbattle took place after failed attempts to lure him out.
At the end, Gray ran out of the house, firing his rifle from the hip before being struck and knocked down by gunfire from STG officers.
Gray subsequently died on the journey to hospital. Rodney Ansell was an Australian bushman who served as the inspiration for the "Crocodile" Dundee films.
On 3 August , Ansell ambushed several police officers at a roadblocked intersection and fatally shot one of them.
A gun-battle erupted as more officers arrived on scene, and Ansell was killed in the ensuing gunfight. The day before his attack on police, Ansell had been on a rampage, shooting at houses and wounding several civilians.
Two persons shot dead Ansell and one officer ; several civilians wounded. The shootout had its roots in an intense rivalry that developed after a group of Comancheros broke away and formed the first Bandidos Motorcycle Club chapter in Australia.
Seven people were killed and twenty-eight injured when the two groups clashed at Milperra. The event was a catalyst for significant changes to gun laws in New South Wales.
Milperra, New South Wales Result: On November 26, , 10 members of the Pakastani militant group Lashkar-e-Taiba carried out shooting sprees at several different locations throughout the Indian city of Mumbai.
The terrorists, heavily armed with automatic weapons and explosives, overwhelmed the initial response from lightly armed and minimally trained police and held out for nearly three days, inflicting almost casualties, with deaths including 17 police officers and soldiers.
Mumbai, India Results deaths including 9 of 10 attackers , injuries, 1 terrorist arrested later hanged after being sentenced to death.
Former police officer Rolando Mendoza boarded a bus with Hong Kong tourists taking the occupants hostage. After freeing 4 children, senior citizens and a disabled woman, the shootout began after the on-board TV broadcast showing the arrest of his younger brother.
Enraged, Mendoza took the tour guide and shot him in the head at the door. The assault killed 8 hostages the youngest being 14 , and wounded 7 hostages, 1 journalist and 1 bystander.
Rizal Park, Manila, Philippines Result: The Kouachis killed two police officers during the Charlie Hebdo shooting on 7 January before fleeing.
Coulibaly shot and killed a policewoman the next day. Finally on 9 January, the Kouachis and Coulibaly held separate sieges which resulted in shootouts with police and all three being killed.
Ile-de-France , France Deaths: On November 9, , Adolf Hitler and at least 2, members of the Nazi Party , which Hitler belonged to, attempted to launch a coup in Munich.
The resulting shootout between Bavarian police and Nazi supporters left twenty people dead and many injured. From Wikipedia, the free encyclopedia.
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Gunfight at the O. When trying to capture KTCU The Nak did handle the birdie problems on Both tuners were able to receive the other test stations with quiet, trouble-free signals.
Speaking of quiet, this Nak has the Schotz noise-reduction circuit. Well, it works, I guess. I had to WORK to hear it work, though.
With the APS-9 hooked up, I had a very hard time finding a station that was noisy. I unhooked my main antenna and stuck in an 8-inch piece of wire.
The Nak was able to pick up most every station I normally hear but they automatically switched to mono and stayed very quiet. Pretty impressive, in a way, but I still had no noise for the Schotz to kill.
I then hooked up a Godar indoor antenna. Now we were getting stereo signals on SOME stations. I was able to find only two stereo signals with enough noise to use the Schotz circuit, and it did diminish that background noise.
IMO, not much of a gimmick to spend your money on. Buy yourself a good FM antenna for the roof or attic instead. While the bass went deep, it had a sort of muffled sound to it.
At times, I noticed the extreme highs to be somewhat rolled off in comparison to the LT. Such a pretty face, such a beautiful chassis, but does she have inner beauty?
Is her beauty only skin deep? It is my habit of late, when testing new tuners, to plug them in and let them "cook" for a couple of days.
The LT sees almost daily usage and some of these tuners may have sat for months. I also go in and clean the variable caps and switches in analog tuners.
Kind of a tune r up before the big race. The names of these two Kenwoods are close and confusing so I will call them king and maiden for this Shootout.
I trust you know which one the present king is. During listening tests, it was apparent that the king still squeezed out the last measure of bass over the maiden.
The soundstage of our maiden was more forward but was never unpleasant sounding. When listening to her sing all alone while the king slept, I forgot about his virtues and enjoyed the experience.
And so, the maiden did turn out to be more than just another pretty face and she does have a beautiful voice to go along with her good looks.
The lamp flickers but this almost disappears when fine-tuning the antenna. Our maiden held a steady stereo signal but at the cost of slightly more background hiss.
This was only noticed during quiet passages and brief periods of dead air. The maiden, however had trouble holding off the advances of the I think she may be due a fresh alignment.
The medium to high-signal stations were well received by both king and maiden alike. The once and future king, the LT. So many lights and buttons.
At least I can tell how it sounds. The bass, though deep, did not have that extra slam of the top tuners. In the final analysis, I would sum up the sound as pleasant, articulate, but lacking the dynamics of some of the boys at the top.
Most of my serious listening judgments are formed while tuned into local stations with strong signals. It was interesting to see how aggressive the TII was in deciding when to activate the narrow modes, hi-blend, etc.
Along with this automatic protection, the soundstage, imaging and "life" to the music were dulled, if not lost. When manually switching to wide mode and turning off the blend circuit on stations with fair signal strength, I was able to recapture the music with little or no noise.
The auto controls were first noticed when tuning to I sat down and was surprised how dull the sound had become compared to the LT.
Manual switching brought it back to life and with a clean background. To handicap the tuners and be fair, I switched the LT to auto and left it in narrow mode.
On antenna input A, I had been listening to There is probably degrees difference. With the tuner still at A very sensitive tuner indeed.
Pointing the antenna more accurately, the LT was able to capture this signal but with more noise. The II was also able to capture and hold this weak signal through a wider degree of antenna travel than the LT.
I should stop here and give some information on station distances from my house. There are about 70 stations within 70 miles, about 30 within 40 miles and 21 stations planted at the antenna farm, Both tuners liked the signal on this day but only in narrow.
The Kenwood shut to mono while the Onkyo held onto stereo but with more noise. When manually switched to mono, both tuners shared the same good signal characteristics.
I turned the antenna to the east in hopes of capturing In the past, the LT usually ruled here and it was able to pick up the signal, but never as clean or over as much antenna rotation as the II.
Turning to our other problem test signal, This station was most enjoyable when switched to mono in either tuner. Again I found the auto circuits in the II to be overactive at When I manually switched to wide mode, both these stations came in loud and clear.
I did notice, I was able to pick up a weak Spanish language station, It must be all those trees my antenna looks into, toward the east.
The TII proved to be as sensitive as a year-old jumping into puberty and, as such, needs a little direction and control for me to live with. And just like any teenager, be careful which buttons you push!
Well, that tears it - I need to get this Kenwood aligned! The TU-X is an attractive tuner having good clean lines and a digital display with a muted orange numbering system.
The orange display is a nice change from the "me too" pale blue so often seen. This tuner has two antenna inputs, switchable from the front panel.
Is this necessary for those with a good outdoor antenna and rotor? Station selection is a two-step process. You touch a number, the selected station frequency appears, flashing, and you must then push ENTER to listen to that station.
At first, I thought "gimmick," then realized it helps the listener find the station sought without having to memorize the whole number pad. The Sansui was pulling nothing but noise.
I was consistently able to grab more weak signals through the LT. The Kenwood kept things quiet over a wider antenna swing.
I grabbed this Sansui off eBay a while back following the recommendation of a friend whose ears I trust, and he was right! Before you read the comments below, hear this.
This Sansui has one of the sweetest, cleanest midranges of the tuners so far in the Shootouts. I had to listen very carefully to hear subtle differences against the LT.
The Sansui held its own but gave up a little to the Kenwood from the deep bass through the lower midrange. This may go hand-in-hand with the feeling of slightly less ambiance information.
After all is said and tested, the TU-X ranks up there with the other tuners for best sound quality in an inexpensive stock tuner, and it invites long listening sessions.
Like the Luxman T, it just missed the Class -C- rating because of the slight lightness in the bass and lower midrange. Many of us believe "the music is in the midrange," but for a tuner to make Class -C-, it must have more of that bass magic originally in the music.
In the end, I say, highly recommended. I was almost afraid to "fix" things inside the TU-X BUT pulled six old caps before and after the LA, then installed four Black Gates and two pieces of wire and this gave the tuner even better sound quality.
Now, who among us is up to the challenge of building a "to die for" audio stage to follow that LA chip in this Sansui or the Luxman right below it?
Winner for best all-around tuner? Great sound, good DXer. But our shootout king was wounded in the midrange. Is there a tuner doctor in the house?!
Meridian Model Winner: I was quite excited when Jesse added this little jewel to his collection. And I do mean little as it is the smallest FM tuner on our Shootout list.
See, I told you it was a jewel. After adjusting a slug to the station of your choice, you flip the TUNE switch down to fine-tune that station.
These adjustments are similar to those on the Magnum Dynalab FT The Meridian is an "always-on" tuner. Opening up this jewelry box shows a tight, no-nonsense space crowded with a toroidal transformer, an HA that plugs in LPF filter, a bi-FET LF buffer amp with four 10uf volt caps around it, and one large supply cap an inch away.
Unfortunately, it only has a positive supply for the audio stage, so we have to keep all the caps. They were among the first, if not the first, to try to fix the sonic problems of the compact disc in its infancy.
DX play was all but forgotten on this little guy and I just sat and listened. What I first noticed was it killed the LT!
It was open, airy and lifelike while the LT was dark, closed-in and lifeless. I checked both tuners. All switches on the LT were set correctly, auto, wide, etc.
The LT had shut down to near mono while the gimmick-free Meridian was playing happily along. After adjusting the antenna correctly, I started listening again.
Well, the Jewel of the Meridian turned out to be the high point of my day. Here we have a real treat. From the lower midrange all the way to the top, these two tuners were very close sonic twins.
There is a hint more midrange openness to the Meridian and a little loss of perceived front-to-rear depth. This may come from the slight loss of bass and dynamics compared to the LT.
When I get a tuner that sounds this nice, I usually turn the LT off and enjoy it. That is the plan for this jewel all weekend.
It may be small but it sure does shine. OK gang, hang on to the antenna as we spin around the airwaves The LT sounds more focused on solo voice. On the T, vocals stepped back in the soundstage and center images were more diffuse.
College station, rock, classical, more. Weakest local area station we can see up here. The LT came through, in narrow, as usual. This was surprising and disappointing because the T tunes in 2.
The T gave a clean crisp stereo signal with some background noise. Listener-supported, volunteer DJs and non-profit.
They play a crazy variety of everything but "normal" music if I have the right to decide what is normal. A pattern is developing with the two tuners.
The LT has more weight to its bass, while the T seems to go as deep but sounds lighter. The highs of the T are more extended while staying delicate and never harsh.
They are all memorized and some still are favorites. It was hard to hear any small differences here. A rock station is a rock station.
Owned by the city of Dallas, which is sucking the money and life out of it. Piano solos showed a noticeable difference in the two tuners.
The T was lighter but more realistic-sounding of the two. Was unable to hear a big difference in the two tuners here. An interesting study of what recording engineers can do with sound.
There are constant, but varying background noise problems. They also add copious amounts of bass to the music to make it more inviting, no matter what you listen through.
The differences between the tuners under test were less noticeable in the afternoon than when I first started testing in the morning.
I left the Audiolab on all night and the warmed-up signal was definitely closer to the LT. OK gang, you can step off the spinning antenna, our flight is over.
Hope you enjoyed the ride. Background noise was always low or nonexistent. The midrange was rich and realistic-sounding, but less focused. The highs were right on and were an added asset to the final sonic picture.
Inside was a DIY dream. There were over 30 polypropylene caps peppering the boards, 5 ceramic filters, the MPX chip was an LA, the audio stage backs right up against the RCA jacks and the power transformer is a large toroidal with a wall shielding it from the analog stages.
Recommended, but the winner is the LT. I first jumped in the water with a Sansui tube receiver purchased while in the Air Force in Two waterlogged old memories came to mind when I put this Carver in my system.
Twenty or so years ago, I saw my first TX and heard Magnaplanars for the first time. Back then, neither was in the budget for this sailor, but things changed as my thirst grew.
I first sat down and listened to this TXb solo and was rewarded with punchy bass and pleasant, articulate mids and highs.
The midrange and highs still brought a smile and I had to finally admit that this was a much better-sounding tuner than the original TX at least the one I owned.
Sorry for the bad pun, Mr. DX tests started at Here both tuners had good to fair signals but when switched to wide, the TXb lost the battle.
Our other weak neighbor, This is the first time I remember listening to AM stereo. The Carver manual says to keep AM de-emphasis switched on and, after listening to it both ways, I agree.
It was interesting and strange to listen to AM in stereo. I found two stereo stations, KAAM which played many songs so old they were obviously "electronically reprocessed for stereo" remember those?
The winner for everything but AM Stereo? The first thing I noticed on this Pioneer was the different wording on the face: Aha, the new and improved version of the previously reviewed paternal twin, the F The FX is a thin black digital tuner with colorful lights and a display that is, thankfully, on the safer side of gaudy.
There was a nice surprise waiting regarding reception quality. On the torture test at The best signal for the Pioneer was centered at When centered at In all the DX tests, the Pioneer was quite impressive around the dial.
The only advantage the LT seemed to have was its ability to fine tune, because of its infinitely variable capacitor, as opposed to the FX which can tune in 50 kHz steps only - better than most digital tuners which tend to tune in.
Sweeping that big dose of reality under the rug cleared things up nicely for our study of the midrange and highs. Things throughout the rest of the range came forth in a sweet, clean presentation that was most pleasant to experience, although somewhat lighter than the LT.
We can now add the FX to that list. When it came time to listen to the FX alone, I knew my review work was over and it was happy hour.
The SAE is a nice-looking tuner with a red digital readout. This one was black, inch rack-mount style. There was a noticeable narrow-frequency ssss type sibilance.
Whether this is common to this model or just that this piece could use an alignment, I do not know. The sound was more forward and more diffuse than the much more "sonically correct" LT.
SAE fans or collectors may choose this one, but not me. Kind of a final overview as to whether I would want the tuner permanently in my system.
The KT turned out to be on that short list. Going head to head with the LT, the KT had a flatter soundstage with a more extended but nice treble.
Musically, another nice keeper. Inside there is one op-amp and three op-amps in the low-pass filter and audio section. To this audio purist sorry Kenwood , op-amps, instead of passive devices in the LPF, looks like an area that could hurt the sound.
Also, the KT would occasionally lose the signal and "go to black" while the LT held onto this weak signal with consistency.
McIntosh MR 80 Winner: There are, thankfully, a growing number of excellent-sounding tuners that have spent time on the Shootout shelf.
I say excellent in contrast to very good or just OK. The excellent badge is signified by the -C- symbol in the Shootout rankings.
To describe the Kenwood LT, I would say it has a very natural sound with an excellent three-dimensional soundstage.
The individual images are often pinpoint and focused, while remaining full-bodied and lifelike. This depends on the recordings, of course, as with any source, but this tuner always seems to bring home the goods.
The apparent front-to-rear imaging is very believable. Voice, musical instruments and sounds have a solid, tangible life that helps make the whole listening experience something to look forward to.
If I could only tie the Philips AH highs on Now that would be THE tuner! Now, onto the Kenwood LT vs.
Oh, the poor old Mac. What an act to follow after all the praise just showered on the LT. Well, have heart, all you Mac aficionados, this Mac sounds very nice.
A very pleasant sound indeed. It has been in the system for well over a week and may stay there even longer.
This Mac must weigh at least forty pounds [including cabinet, I presume? This variety of positions gave me good insight into the sonic charms of the MR The trouble with many of these tuners, or maybe their saving grace, is they can sound different, sometimes very different from the LT and still be a pleasure to listen to.
Case in point this time, our MR There was no harshness, hardness, or brightness, and no slight "mechanical" sound like I observed in the MR Nothing came forth that would send it plunging to the bottom of the Shootout barrel.
Turning the antenna toward our DX tests, we first land on The MR 80 was quieter than the LT with both tuners in their narrowest modes. Even though the stereo lamps on both tuners were lit, with occasional flickers, the sound was hardly more than mono.
An interesting sonic difference was that the MR 80 sounded more muted and distant while the mono signal from the LT continued to present a more open, lively sound.
When trying to listen to both tuners in the widest mode, the MR 80 still came out on top with the quieter signal.
Swinging the antenna east to our other problem child, On medium to strong signals, no problems were encountered on either of these great tuners.
I see this NAD as an attractive, medium gray tuner with clean lines. While it stood alone in the ring, I was confronted with a pleasant sound and nice, punchy bass.
The midrange was clean and articulate, but there was a touch of extra sibilance noticed on spoken voice. The midrange, however, had a slightly thinner sound that robbed the music of some life.
The highs blended nicely with the mids and were never what I would call bright-sounding. When I proofread these reviews, I realize my judgments may seem harsh on some Shootout "victims"?
The problem is, there are a few tuners out there that get most everything "just right. Upon rereading this review a few months after writing it, and seeing where I originally placed the NAD on the Shootout list, I had to ask myself why I gave it such a relatively high rating.
There are tuners below it that sound, well, nicer BUT less dynamic, less lively. This seems to happen when some tuners have their outputs taken directly off the MPX chip no buffer circuit.
On such tuners, you get a pleasant enough sound that most of us could live with, but you lose some of that excitement found in a real musical experience.
The added buffer circuitry can, IMO, both add to and take away from the final sonic picture. We may gain better bass control and extension but lose some midrange pleasantness or, when we get lucky, everything improves for the better.
When it was finally time to put this review up, I left the NAD in its original list position. The LT was able to capture With both tuners tuned to our other weak neighbor to the east at One interesting thing occurred during testing.
I had both tuners tuned in to Under these conditions, the NAD became noisy and bright compared to the LT, which kept its normal sonic balance.
Adjusting the antenna brought things back to normal. The NAD had no problems with local stations with average or above-average power. This Revox is an attractive tuner.
It reminds me of test equipment seen in the past. It has quite an interesting look which is much nicer than the basic black of many more modern digital tuners.
Some DX tests first On the weak college station at Both could only hold a mono signal. Needless to say, there were some were strange signal conditions during this review.
The Revox was very aggressive in choosing mono on all but the strongest of stations. On to the listening tests. The midrange was pleasant enough but slightly forward, as were the highs, plus the highs were not as smooth and controlled as the higher-rated tuners.
I was disappointed after the Revox B but then again, all Kenwoods and Sansuis are not sonically equal to their family members at the top of our list, either.
The LT never ceases to amaze me in how deep the bass goes, and with more punch than most tuners. As a matter of fact, this Technics reminds me of the Sumo Charlie, with its lower midrange hump that also gives an apparent sense of bass.
The higher frequencies of both tuners gave no problems during music playback. Although the LT sounded more "right" I saw no serious sonic sores on the challenger.
All in all, a pleasant sound, but I was less inclined to tap my foot while listening. The rack-mount styling and clean lines should attract those who favor this styling, me among them.
Therefore, in Auto, the tuner chooses when to switch to the narrow bandwidth. I hate not being in control.
The ST had some interference problems with other stations, plus there was breakup of the signal on loud voice and music signals.
Neither tuner was listenable in stereo during these tests. The dial pointer was pretty far off, so take this review with a grain of salt.
I feel this tuner may be more out of alignment than most so far. Sanyo Plus T35 Winner: What is going on here? Is it legal for a Sanyo to sound this good?
This is a great-sounding tuner. It makes you want to just sit, close your eyes and listen. This Sanyo has that seductive characteristic.
The next Sanyo may not possess this magic. Just some thoughts I wanted to share before I dissect the sound. The sound, in toto, is tuneful, balanced and invites long listening sessions.
The bass, while not going to the bottom of the well, definitely got its feet wet. Bass punch and bloom had the same sonic character as the LT, if not the bottom reach.
While the LT has a very focused midrange, the Sanyo has a more laidback, slightly diffuse approach. This is the second Sanyo through here this year.
The first played on my work bench one day and then went crazy, throwing loads of RF, and never played music again.
This Sanyo under review had trouble turning on this morning. This Meridian has a clean, articulate midrange that always remained musically inviting.
The bass is good and the highs are smooth and detailed, being neither recessed nor forward of the total package. When thrown up against the LT, I think the perceived smoothness is partly the result of a less punchy, less full bass.
There appears to be less of an overall sense of dynamics. For that prize, a tuner must have deep bass, dynamics, natural highs and a pleasant, listenable midrange - that Class -C-, "does everything right" package that can take an FM devotee all the way there.
On DX and ergonomics, I was unable to force this tuner to stop on either of our weak test stations. It turned its British nose up at all but local stations with acceptable signals.
Want a good-looking, pleasant-sounding tuner? Most of the Shootout tuners reviewed are loans from a very small group of serious FM tuner collectors and TIC contributors, but once in a while I just have to buy one for myself.
I left the tuner on for a couple of days - as a matter of fact, it looks to be always on, but when you hit the mute switch, the display turns off.
The DX setting, when engaged, gave more signal strength bars on the display. Manual tuning is slow but you can memorize eight stations.
A look inside showed a simple layout with a short audio signal path to the outputs. The biggest difference compared to the LT was, as usual, a loss in bass punch.
The rankings are getting very crowded and there are so many tuners in the Shootout list that are a cut above any mass-market also-ran.
There has been no real reason for me or my small band of tuner collectors and contributors to buy any real junk. As you know, some time ago I felt it was necessary to create the -C- class of tuners, for tuners that give us just about as much as we could really hope for in a stock tuner.
I always came away from my listening sessions very satisfied in that smallish -C- class group. The -C- group always has very good bass, great sound through the midrange, and sweet, non-fatiguing highs.
They always seem to give that extra little something. Now I feel it is time to create another class of very good tuners to follow the -C- class.
And what shall we call it? Those above average tuners that give us a good "-M-idrange," good bass and highs, but maybe not always in that rare, more seamless combination of everything that makes the -C- class just right.
I want to add that I feel most fortunate to be able to listen and review all these great tuners and it has definitely spoiled me.
Seeking audio perfection can be very expensive! Starting with this review, the -M- class tuners are identified on our list. There are a ton of great FM tuners out there and I hope each one of you can get to enjoy at least one.
Testing for DX on With both tuners in mono, narrow and the TS in its DX mode, I was able to hear good, clean signals. Switching both to stereo mode, the TS had the wider stereo spread with some faint background hiss.
Switching both to WIDE mode, the TS kept the stereo image but with more hiss and intermittent interference from When I returned to This was more noticeable on the TS The Sansui TU tuner is nothing more than a little dog in a big doghouse.
Sansui had a good marketing strategy way back when. In the TU-x17 series, there were five tuners: The underappreciated TU is basically a TU with minor differences.
Sometimes a good bargain to be had there. With the , you got a nice-sounding, slim for the time tuner.
When you dished out more money for a , you got panel lights. The , and are basically the same tuner. Now on the , you do get a bigger power transformer and a few added capacitors in the power supply, but the circuit board, circuit and even part identifications look to be identical in all three.
Rounding up the usual suspects for DX tests, there were no obvious problems on stations with good signal strength.
Where the TU stumbled was on the weakest local area stations. The TU has no narrow mode and was not able to hide from On our other weak station at The LT was in wide for this test.
It never ceases to amaze me how nice these old Sansuis sound. The imaging presented was slightly less focused and there was some loss of dynamic contrasts in the music.